Judges will look out for talam control in contest
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It is claimed that the Carnatic trinity of M.S. Subbulakshmi, D.K. Pattammal and M.L. Vasanthakumari had an incredible sense of layam. Intricate talams at varied speeds was once little one’s play for them, recall previous timers.
E-mail from individuals of The Puucho Margazhi Classical Music Competition have been enquiring if they may use varied accompaniments to make sure talam in their performances.
Keeping talam could be one of many basic items that the judges would look out for in this competitors.
The final date for sending entries as Google Drive or Dropbox hyperlinks to thm- argazhi@thehindu.co.in is Saturday.
Vocalist Ashwath Narayanan recalled how nagaswaram musicians in these days used the betel nut cracking instruments to maintain their talam, in order that they may multi-task between betel nut cracking and practising.
“They were such masters of layam. Laya praghnya, or having an innate sense of rhythm, is intrinsic to music, as it is to life in general. It is that ability to comprehend time signatures that transcends as various ideas like talams, gathis and nadais. Rhythm gives the grip for any melodic sequence to be expressed in a certain way,” he mentioned.
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